A very short documentary that sums up in three minutes the importance of the Roland TR-808 drum machine for electronic, hip hop and pop music in the last thirty years. Originally designed in 1980 as a tool for studio musicians to create demos, due to its relative cheapness it became used in the then-underground electronic and hip hop scenes to compose beats.
The by now vintage, distinctive, artificial sound of the 808 not only gave birth to the techno scene (in addition to tools like the TB-303 bass synthesizer), but also influenced the evolution of all kinds of relevant styles in the last decades. By now, their sounds are available digitally, but original machines are highly sought after. If you listen, you hear those kicks and hi-hats everywhere.
Also check out this video, already blogged about earlier, demonstrating the possibilities of the 808.
Check dit ge-ni-a-le filmpje van de free multi-bunker rave in Lopik vorig weekend, in een oud munitiedepot. Nice! Zijn nog meer vette filmpjes van te vinden op YouTube (zoals deze) maar dit lijkt de beste compilatie.
De muziek -- old school, acid en tekno met een hoog bpm -- is wel een verademing met al die diepsaaie house die elders veelal de boventoon voert. Enjoy, leuk om je weekend mee te beginnen:
Here you go, my top 10 of 2010. It has definitely been a good year in quality pop music!
(Nice list btw Adriejan. Though I must say I was a bit surprised by it as well, because the only tune I’ve heard you playing all year is this one. Oh well, gotta keep up the hipster appearence I guess.)
For me this has been the year of the revival of acid and rave. In dance music, artists like Boys Noize, Housemeister, Fake Blood (and in a way, Richie Hawtin) dusted off the old 303′s and 808′s and fully embraced this part of dance music history. But who would have thought that the smiley faces would also turn up in indie? Artists like Delorean, Pictureplane and Teengirl Fantasy took all the happy vocals, house piano’s and acid synths and poured some hipster sauce on it. This track by Teengirl Fantasy is the epitome of this resurgence of house. The old soul vocals are mixed brilliantly with the uplifting rave vocals and a slow but strong beat is the icing on the cake. The result is an extremely powerful track, which works great on the dancefloor in the early hours.
Beach House is a very good young band. This song from their debut album Teen Dream especially caught my attention. After I heard them playing an amazing live version it became my absolute favorite. The high position of this song on the list is also based on my iTunes “played” count of this song. Be sure to also check out other tracks from Teen Dream!
Crystal Castles (II) is a great album and I like most of its songs. Vietnam, Suffocation and Violent Dreams, I all love them. Empathy is just a tad better than these songs in my opinion. That’s why this is the one that made the list.
Pantha Du Prince spent months in the Austrian Alps to work on the Black Noise album. The result was fantastic and this song is the best of the lot. I love the way it swells up in the beginning. Worked well on the “Big Wheel” stage at Melt!
At first I was pretty negative about MGMT’s second album. Months after its release I gave it another good listen and it turns out that there are actually quite a few good songs on it. The title track is my favorite. It’s very relaxed and soothing.
The masters of electronica were back in 2010 with Oversteps. This is the best track from the album in my opinion. It takes many unexpected turns and you need to listen to it at least five times to fully appreciate its richness.
It was a must to see The National live in 2010. About this song, what can I say? It’s both uplifting and melancholic, which is true for many great songs. When you look back in ten years at 2010, this will be one of the songs you remember.
It was hard to pick the best song from Real Estate’s debut album, because there are many great tracks on it. Suburbaban Beverage and Green River could easily have occupied this spot on my list. I finally went with Beach Comber though because it’s the most catchy and it’s still fresh after listening to it dozens of times. (I know, this album is from November 2009. I put it on this list anyway, because I can)
Below is my bonus list. These are the tracks that just didn’t make it to my top 10, but are worth your while nonetheless.
Well well, listen to this track by the obscure late-1970s Manchester New Wave band Gerry & The Holograms. Does it remind you of something? Maybe of the great 1983 club hit Blue Monday, by Manchester phenomenon New Order?